<?xml version="1.0" encoding="UTF-8"?>
<bibliography>

<incollection>
<author>Barra Boydell</author>
<title>The Flageolet in Ireland</title>
<booktitle>Musicology In Ireland</booktitle>
<page>150–169</page>
<publisher>Irish Academic Press</publisher>
<year>1990</year>
<isbn>0-7165-2456-2</isbn>
</incollection>

<booklet>
<title>A  Checklist of European and American Flageolets, Recorders and Tabor Pipes</title>
<author>Barbara Burn</author>
<howpublished>The Metropolitan Museum of Art</howpublished>
<address>New York</address>
<year>1989</year>
</booklet>
 
<article>
<author>Jane Girdham</author>
<title>The Flageolet Player: the ultimate amateur musician</title>
<journal>Early Music</journal>
<year>2004</year>
<volume>XXX</volume>
<number>3</number>
<page>397–410</page>
<month>August</month>
</article>

<article>
<author>William Waterhouse</author>
<title>The Double Flageolet—Made in England</title>
<journal>The Gaplin Society Journal</journal>
<year>1999</year>
<volume>LII</volume>
<page>172–183</page>
<month>April</month>
<note>Also published in Tibia.</note>
</article>

<article>
<author>William Waterhouse</author>
<title>Das Doppelflageolett—made in England</title>
<journal>Tibia</journal>
<year>1995</year>
<note>Also published in the Galpin Society Journal.</note>
</article>

<book>
<author>Christopher Welch</author>
<title>Lectures on The Recorder in Relation to Literature</title>
<publisher>Oxford University Press</publisher>
<year>1961</year>
<address>Oxford</address>
<page>47–58 and 60–70.</page>
<note>Lectures originally delivered in 1911.</note>
</book>
 
<book>
<editor>Tony Bingham</editor>
<title>Patents for Inventions: Abridgements of Specifications relating to Music and Musical Instruments. AD 1684–1866</title>
<publisher>Tony Bingham</publisher>
<year>1984</year>
<address>London</address>
<page>46–47, 49, 50–52, 56–57, 59, 84 and 148</page>
<note>Originally published by the Office of the Commissioners of Patents for Invention in 1871.</note>
<isbn>0-946113-01-7</isbn>
</book>

<book>
<author>Eugène Roy</author>
<title>Méthod Complette Pour Le Flageolet</title>
<publisher>La Société de Musicologie de Languedoc</publisher>
<note>Reissue</note>
<isbn>2-905-400-26-9</isbn>
</book>

<book>
<author>Freillon-Poncein, Jean-Pierre</author>
<title>La véritable manière d'apprendre à jouer en perfection : du hautbois, de la flute et du flageolet</title>
<year>1700</year>
<address>Paris</address>
<note>Various reprints exist.</note>
</book>

<book>
<author>Stanley Godman</author>
<title>The bird fancyer's delight</title>
<publisher>T. Ward</publisher>
<year>1714</year>
<address>London</address>
<note>Various reissues exist, including Schott, 1954.</note>
</book>

<book>
<author>Thomas Greeting</author>
<title>The pleasant companion, or, New lessons and instructions for the flagelet</title>
<year>1672</year>
<address>London</address>
</book>

<book>
<author>Anthony Baines</author>
<title>Woodwind Instruments and Their History</title>,
<publisher>Dover</publisher>
<year>1991</year>
<note>Originally published 1967.</note>
<isbn>0-486-26885-3</isbn>
</book>

<book>
<author>Anthony Baines</author>
<title>A Catalogue of Musical Instruments in the Victoria and Albert Museum</title>
<publisher>V. and A. Publications</publisher>
<year>1998</year>
<volume>Volume II (Non-keyboard Instruments)</volume>
<note>Pages 88ff.</note>
<isbn>1-851-77250-2</isbn>
</book>

<book>
<author>Anthony Bains</author>
<title>Musical Instruments Through The Ages</title>
<publisher>Penguin</publisher>
<year>1961/1982</year>
<address>London</address>
<page>235</page>
</book>

<book>
<author>Nicholas Bessaraboff</author>
<title>Ancient European Musical Instruments</title>
<page>63</page>
</book>
 


<book>
<author>Adam Carse</author>
<title>Musical Wind Instruments</title>
<publisher>Dover</publisher>
<year>2002</year>
<note>Originally published 1965.</note>
<isbn>0-486-42422-7</isbn>
</book>

<book>
<author>Tula Giannini</author>
<title>Great flute makers of France : the Lot and Godfroy families, 1650-1900</title>
<publisher>Tony Bingham</publisher>
<year>1993</year>
<address>London</address>
<page>7, 20, 86 and 179</page>
<isbn>0-946-1130-5}</isbn>
</book>


<book>
<author>Edgar Hunt</author>
<title>The Recorder and its Music</title>
<publisher>E Eulenburg</publisher>
<year>1997</year>
<page>57–59 and 64–65</page>
<isbn>0-903-87305-2</isbn>
</book>

<book>
<author>Sibyl Marcuse</author>
<title>A Survey of Musical Instruments</title>
<publisher>David and Charles (Holdings) Ltd.</publisher>
<year>1973</year>
<page>557–559</page>
<isbn>0-7153-6278-5</isbn>
</book>

<book>
<editor>Sir George Grove, Stanley Sadie, John Tyrrell</editor>
<title>New Groves Dictionary of Music and Musicians</title>
<publisher>Groves Dictionary of Music and Musicians</publisher>
<year>2001</year>
<isbn>1-5615-9239-0</isbn>
</book>

<book>
<editor>H.C.G. Matthew, Brian Harrison</editor>
<title>Oxford Dictionary of National Biography</title>
<publisher>Oxford University Press</publisher>
<year>2004</year>
<isbn>0-1986-1411-X</isbn>
</book>

<book>
<author>Frances Jane Crosby</author>
<title>Monterey and Other Poems</title>
<publisher>R. Craighead</publisher>
<year>1851</year>
<address>New York</address>
</book>

<book>
<author>William Carpmael</author>
<title>Law Reports of Patent Cases, Volume 1</title>
<page>270 ff.</page>
<year>1843</year>
<publisher>A. Macintosh</publisher>
<address>London</address>
</book>



</bibliography>

